The annual Bute Studio Trail (July 20/21) offers a unique opportunity to step into a working artist's studio, and mine is no exception! Come and join me in my garden studio. I am Venue 17 in the Bute Studio Trail brochure (page 35).
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As Christmas 2023 approached, I dedicated a bit of time to revisiting my website. I was carrying out a review when I stumbled upon the remnants of my very first Blogger website dating back to 2008.
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A variable edition refers to a series of prints created by an artist that are created from a common plate or several plates. The composition is the same but each print is individually unique due to intentional variations the artist has introduced during the printing process.
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On the first weekend in November, I booked myself a collagraph weekend workshop at Glasgow Print Studio under the guidance of printmaker Gayle Robinson. It’s been a long time, pre-Covid, since I went on any professional development printmaking workshops.
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Simply put, my customers choose to buy original prints instead of reproductions for a variety of reasons. They value the genuine, personal connection they feel with the artwork and appreciate its one-of-a-kind nature. They also find original prints more accessible and enjoy supporting the artist on their creative journey.
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At Carol Nunan - Printmaker, I take great pride in creating original landscape and seascape prints that spark joy and bring the beauty of familiar wild places into your life. Chris and I curate the prints we then bring into production for the gift ranges and greeting cards and we are delighted when we get things right as evidenced by our consistent 5-star reviews.
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Commissioning art can be a delicate process. For years, I hesitated to take on commissions, as I find it challenging to create an original piece of work based on someone else's brief. However, I’m not averse to making new versions for my variable edition prints.
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A conversation with a new gallery owner a few months ago prompted this blog post. The gallery owner wanted to know what my attitude was to this subject. It has come up from time to time over the two decades I’ve been a printmaker.
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Once you've invested in an original print, the next crucial step is choosing the right frame. Framing is not just about aesthetics. Your investment is worth safeguarding and ensuring its longevity. You have two primary choices
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Whether you've been following my 'Notes From The Studio' or you're exploring the fascinating world of printmaking online, your presence here shows me you share an interest in the fascinating art of printmaking.
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When it comes to the world of art, one question I am often asked is whether a print can truly be considered an original piece. Many people hear the word ‘print’ and assume it involves a labour-saving mechanical process that allows multiple copies to be made all at once.
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Part 2 of Collagraphs: An Explanation and How-To Guide
In my artistic process, I have developed a technique that combines monotype and collagraph printmaking to create unique and variable edition prints. Here is a breakdown of the stages I follow:
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