Introduction

Once you've invested in an original print, the next crucial step is choosing the right frame. Framing is not just about aesthetics. Here’s why. Your investment is worth safeguarding to ensure its longevity. You have two primary choices.

Choice 1. Off-the-shelf frames from places like B&Q, Homebase, Habitat or IKEA.

Choice 2. Bespoke framing from an accredited framer. Let me cover some of the advantages and disadvantages of both options to help you make an informed decision that is best for you.

Off-the-shelf frames are readily accessible and often budget-friendly.

I get it. Framing can be expensive and buying a ready-made frame can be tantalisingly tempting. They are a popular choice for framing artwork and photography. Let's take a look at the pros and cons of using off-the-shelf frames:

PROS:

• Affordability: Generally speaking off-the-shelf frames appear to be more cost-effective especially if you want to frame several prints and you have a limited budget.

• Convenience: You can go into your local Homebase, or IKEA to find something that fits the artwork.

• Quick Turnaround: You don't have to wait. The frames are ready for immediate use as soon as you get them home.

CONS:

• Inconsistent Sizing Issues: Off-the-shelf frames tend to come in standard sizes. That’s fine if your purchase is also in a standard size but what if it isn’t? Are you prepared to compromise the integrity of the print to make it fit or, do you have the skills (and tools) to cut your own mount to get it to fit?

• Limited Customisation: Assuming you do have the skills and tools to take on the task if you need to, off-the-shelf frames have a limited number of styles which may or may not be an issue for you. If you’re the creative type who likes to up-cycle, you might find just the right frame in a charity shop. Otherwise, your ability to personalise the framing to suit your taste or artwork might be limited.

• Quality Concerns: This is the key issue. If you have invested your hard-earned cash in an original print (or any other artwork) you don’t want to get damaged. Many off-the-shelf frames use less durable materials, flimsy clips to secure the backing board, and flimsy hooks to hang the work. Is the supplied mount board acid-free? Probably not.

  This is an important point. The use of non-acid-free materials - mount board, tapes, etc., will lead to damage to your print over time. You might notice the mount begins to turn yellow or brown. The print may acquire brown staining where it has come in contact with the backing board or the mount. This is called acid burn or foxing. If a print or any work on paper is not properly framed, dust and moisture are more likely to cause further damage.

Bespoke Framing: The Pros & Cons

Bespoke framing offers a personalised and professional touch to your artwork. Let's explore the advantages and disadvantages:

PROS:

• Tailored to Your Artwork: Look for an accredited framer like a member of the Fine Art Trade Guild. You will receive expert guidance in selecting a frame to suit the dimensions and colour scheme of your print or artwork on paper.

• Museum-Quality Materials: Accredited framers use archival materials. Archival framing safeguards the artwork against environmental threats. Things like humidity, temperature, light, and dust. Good framing will preserve your artwork from fading, discolouration, and damage over time. A good framer can tell you what to avoid to prevent damage in the long term.

• Bespoke Frames Enhance And Add Value To Your Purchase: You can make unique and creative design choices that suit the style of the artwork and your home.

CONS:

• Higher Cost: There is not doubt bespoke framing comes with a higher price tag. In return, you should get good advice, superior craftsmanship, quality materials, and customisation. Yet, the investment is well worth it for valuable or irreplaceable prints.

• Longer Turnaround: Custom framing requires time for consultation, design, and production.

• Expertise Required: Finding a skilled framer with accreditation may pose a challenge. Seek recommendations or check reviews to ensure you're choosing a reputable professional.

Choosing The Right Option For You

In reality, both off-the-shelf and bespoke framing have their place. Here’s a summary of tips on how to decide which is right for you:

• Consider Your Budget: If you are working on a tight budget, off-the-shelf frames might be a cost-effective temporary solution. In the meantime, there are steps you can take to mitigate against future damage.

  • For a start, invest in some archival mount board, the correct tapes and the proper hanging cord (that won’t degrade with age and snap when you least expect it - like garden twine!)

  • Assemble the right tools. A sharp scalpel or craft knife is a must to cut the window mount, preferably with a bevelled edge (takes a bit of practice).

• Bespoke Framing Is The Superior Choice
  if you are willing to invest in quality framing.

• Assess Artwork Value: Bespoke framing with archival materials is essential to will ensure the long-term preservation of irreplaceable prints that are valuable to you. You can do it yourself if you are prepared to make an investment of time and the right materials and you are confident you have the skills to do the work justice.

• Time Constraints: Off-the-shelf frames are the immediate option. Custom framing takes longer due to the consultation and production process.

Conclusion

The choice between off-the-shelf frames and bespoke framing hinges on your budget and the value of your artwork. Off-the-shelf frames offer convenience and affordability. Bespoke framing provides superior customisation and protection for your precious prints. Base your decision on the specific needs of your artwork. Remember that a well-framed print can greatly enhance its visual impact and longevity. Both have their place. I would use off-the-shelf frames for artwork that is inexpensive. I would use bespoke framing for sentimental value artwork or an original that I want to hold its value.

My Final Word!

I frame most of my own work. Whilst I am not a member of the Fine Art Trade Guild, I do adhere to the principles of high-quality framing. I use museum conservation tapes, pre-cut acid-free mount-board and frames (made from solid oak) supplied by The Framehouse in Consett, Co. Durham, a member of the Fine Art Trade Guild.

I can supply most of my prints unmounted (unless it has been float mounted), or mounted but not framed if you prefer to choose your own frames and framers to suit the style in your own home. Visit my Print Shop for landscapes, seascapes and wildlife inspired by Northumberland and my home off the west coast of Scotland. I love to see photos of my work hanging in my customers’ homes. And if you have any questions about framing don’t hesitate to get in touch.